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著者名「デザイン : Max Huber」の検索結果
max huber progetti grafici 1936-1981 ＜マックス・フーバー 作品集 (pagina)＞
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥11,000
（送料：￥185～）
編 : Pierluigi Cerri ; デザイン : Max Huber、Electa、1982･･･
初版、函(欠)、文 : 伊語
序文 / Max Huber
L'ideogramma cinestetico di Max Huber / Giovanni Archeschi
序文 / Max Huber
L'ideogramma cinestetico di Max Huber / Giovanni Archeschi
Max Huber, pittore, maler, painter
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥22,000
文 : Michele Reiner、Max Bill、Luciano Caramel ; デザイン･･･
文 : 伊・独語
Introduzione / Michele Reiner
無題 / max bill
Max Huber: il laboratorio della pittura / Luciano Caramel
図版
Biografia
Esposizioni personali
Esposizioni collecttive
Bibliografia
Introduzione / Michele Reiner
無題 / max bill
Max Huber: il laboratorio della pittura / Luciano Caramel
図版
Biografia
Esposizioni personali
Esposizioni collecttive
Bibliografia
Croce della Domenica numero 4 della cartella - Il traffico - ＜Max Huber ポスター＞
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥44,000
デザイン : Max Huber、Bellasich e Bossi editori, Milano･･･
技法 : オフセット印刷
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥4,400
編 : Mark Buchmann ; デザイン : Max Huber、Kunstgewerbem･･･
文 : 独語
Prolog / Dr. Mark Buchmann
Kulturgeschichtliche Betrachtugenzum Papier / Dr. Roland Stiefel
Papier und Magie / Dr. W. Fr. Tschudin
Das Papier und die schwizerische Papier-In1strie als Wirtschaftsfaktoren / P. Rütti-Morand
Papier unKunst / Margit Staber
Papier als Hilfsmittel der Pädagogik / Dr. Eduard Plüss
Verpackungen
Papierkleider
apiermöbel aus der Klasse für Innearchitektur und Produktgestaltung / Heinz Meyer, Alfred Aebersold
Literaturverzeichnis / Dr. Kurt Akeret
Prolog / Dr. Mark Buchmann
Kulturgeschichtliche Betrachtugenzum Papier / Dr. Roland Stiefel
Papier und Magie / Dr. W. Fr. Tschudin
Das Papier und die schwizerische Papier-In1strie als Wirtschaftsfaktoren / P. Rütti-Morand
Papier unKunst / Margit Staber
Papier als Hilfsmittel der Pädagogik / Dr. Eduard Plüss
Verpackungen
Papierkleider
apiermöbel aus der Klasse für Innearchitektur und Produktgestaltung / Heinz Meyer, Alfred Aebersold
Literaturverzeichnis / Dr. Kurt Akeret
GEBRAUCHSGRAPHIK ゲブラウフス・グラフィーク 1955年5月号
アカミミ古書店
東京都杉並区荻窪
東京都杉並区荻窪
￥2,500
（送料：￥185～）
EBERHARD HOLSCHER(編集)、F.Bruckmann、1955、63p、29.5ｃｍ
経年イタミ 背にダメージ
目次
Raimund Hrabak: Max Huber, Mailand. Werbegraphik. Max Huber, Milan
Commercial Art
Alexandre Alexandre: Larousse wirbt. Französische Verlagswerbung. Larousse advertises
Publicity of a French publishing house.
Anton Sailer: Karl Heinz Meyer, Braunschweig. Illustrationen. Illustrations
Anton Sailer: Hubs Flöter, Stuttgart. Photos • Photos by Hubs Flöter, Stuttgart
Eberhard Hölscher: Robert Dolobowsky, New York • Werbung für Rundfunk und Fernsehen
Advertising for broadcasting and television
Hans Fabigan: Unbekanntes Osterreich • Unkown Austria • Autriche inconnue
Eberhard Hölscher: 《Kieler Woche》 • Ergebnisse eines Plakat-Wettbewerbes 《Kiel Week》
Results of a poster competition
Max Körner: Plakatwettbewerb 《Wirtsc,haft und Werbung》, Essen 1955 • Poster competition
《Industry and Advertising》Essen 1955
ほか
目次
Raimund Hrabak: Max Huber, Mailand. Werbegraphik. Max Huber, Milan
Commercial Art
Alexandre Alexandre: Larousse wirbt. Französische Verlagswerbung. Larousse advertises
Publicity of a French publishing house.
Anton Sailer: Karl Heinz Meyer, Braunschweig. Illustrationen. Illustrations
Anton Sailer: Hubs Flöter, Stuttgart. Photos • Photos by Hubs Flöter, Stuttgart
Eberhard Hölscher: Robert Dolobowsky, New York • Werbung für Rundfunk und Fernsehen
Advertising for broadcasting and television
Hans Fabigan: Unbekanntes Osterreich • Unkown Austria • Autriche inconnue
Eberhard Hölscher: 《Kieler Woche》 • Ergebnisse eines Plakat-Wettbewerbes 《Kiel Week》
Results of a poster competition
Max Körner: Plakatwettbewerb 《Wirtsc,haft und Werbung》, Essen 1955 • Poster competition
《Industry and Advertising》Essen 1955
ほか
代金前払い(公費除く)、全国一律クリックポスト185円(34cm×25cm、厚さ3cm、重さ1kg以内)、サイズオーバー、1kg以上はレターパックプラス、ゆうパックでの発送になります。代引きは承っておりません。時間指定をご希望の場合はゆうパックでの発送になります。
500 miglia di Monza ＜モンツァ500マイル自動車レース ポスター＞
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥22,000
デザイン : Max Huber、凸版印刷株式会社、1957 ; 1994、146 x 103cm、･･･
技法 : オフセット印刷
左下カドにブラインド・スタンプあり「REPRODUCED BY TOPPAN PRINTING CO. LTD. TOKYO」
凸版印刷が企画・制作した「欧米のポスター100・1945-1990 ; THE 100 BEST POSTERS FROM EUROPE AND THE UNITED STATES 1945 - 1990」の1枚
左下カドにブラインド・スタンプあり「REPRODUCED BY TOPPAN PRINTING CO. LTD. TOKYO」
凸版印刷が企画・制作した「欧米のポスター100・1945-1990 ; THE 100 BEST POSTERS FROM EUROPE AND THE UNITED STATES 1945 - 1990」の1枚
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥3,300
編 : 勝見勝 ; アートエディター : 原弘 ; 文 : 勝見勝、亀倉雄策 ; 表紙デザイン : ･･･
わたしの刊本作品 / 武井武雄
武井武雄の豆本
ウェスティングハウスのデザイン・ポリシー / 勝見勝
ソウル・バス(Saul Bass)の近作 / 亀倉雄策
ゲルストナー + クッター(Gerstner + Kutter) / 勝見勝
世界の新人展望⑧ / 勝見勝
・チャールス・ゴスリン(Charles Goslin)
・植松国臣
印刷デザイン実験室:⑬ グラデーションによる2つのエチュード / 永井一正 ; 木村恒久
欧米の絵本 / 福田繁雄
毎日産業デザイン特別賞受賞について
ポートフォリオ
英文サマリー
編集後記
武井武雄の豆本
ウェスティングハウスのデザイン・ポリシー / 勝見勝
ソウル・バス(Saul Bass)の近作 / 亀倉雄策
ゲルストナー + クッター(Gerstner + Kutter) / 勝見勝
世界の新人展望⑧ / 勝見勝
・チャールス・ゴスリン(Charles Goslin)
・植松国臣
印刷デザイン実験室:⑬ グラデーションによる2つのエチュード / 永井一正 ; 木村恒久
欧米の絵本 / 福田繁雄
毎日産業デザイン特別賞受賞について
ポートフォリオ
英文サマリー
編集後記
Premio La Rinascente Compasso d'Oro 1955 per l'estetica prodotto) ＜第2回コンパッソドーロ賞＞
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥33,000
デザイン : Max Huber、La Rinascente、1956、81p、21.5 x 21c･･･
文 : 伊語
Norme di partecipazione
Regolamento della manifestazione
I premi
Svolgimento della manifestazione
Relazione della giuria
La Mostra al Cicolo della Stampa Milano Palazzo Serbelloni
I compassi d'oro 1955
・thermos portaghiaccio da tavolo, mod. 510 / Bruno Munari(TRE A)
・lampada "Luminator"/ Achille e Pier Giacomo Castiglioni(GILARDI & BARZAGHI)
・secchio in polietilene con coperchio modello K.S. 1146 / Gino Colombini(Kartell-Samco)
・bicchieri e ciotole in vetro bicolare / Umberto Nason
・sedia "Luisa"/ Franco Albini(Carlo Poggi)
・lampada scompanibile modello 1055 / Gino Sarfatti(Arteluce)
[ほか]
I prodotti che hanno ricevuto la segnalazione d'onore
Norme di partecipazione
Regolamento della manifestazione
I premi
Svolgimento della manifestazione
Relazione della giuria
La Mostra al Cicolo della Stampa Milano Palazzo Serbelloni
I compassi d'oro 1955
・thermos portaghiaccio da tavolo, mod. 510 / Bruno Munari(TRE A)
・lampada "Luminator"/ Achille e Pier Giacomo Castiglioni(GILARDI & BARZAGHI)
・secchio in polietilene con coperchio modello K.S. 1146 / Gino Colombini(Kartell-Samco)
・bicchieri e ciotole in vetro bicolare / Umberto Nason
・sedia "Luisa"/ Franco Albini(Carlo Poggi)
・lampada scompanibile modello 1055 / Gino Sarfatti(Arteluce)
[ほか]
I prodotti che hanno ricevuto la segnalazione d'onore
欧米のポスター100・1945-1990 ＜全100枚揃い一括 (展覧会図録付き)＞
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥440,000
編 : 欧米のポスター100選定委員会(亀倉雄策 ; ミルトン・グレイサー ; アラン・ヴェイユ ;･･･
函、展覧会図録付き、技法 : オフセット印刷
500 miglia di Monza（Max Huber）
ALBAN BERG WOZZECK（Jan Lenica）
ALFIERI & LACROIX: TIPOLITOZINCOGRAFIA IN MILANO （Franco Grignani）
BLACK POWER WHITE POWER（Tomi Ungerer）
CAMPARI（Bruno Munari）
CINZANO（Raymond Savignac）
DYLAN（Milton Glaser）
General Dynamics - USS Nautilus（Eric Nitche）
IBM（Paul Rand）
O & T Ausstellung Odermatt & Tissi 2 Schweizer Grafiker Plakate, Signete, Shriften（Siegfried Odermatt、Rosmarie Tiss）
Olivetti (Giovanni Pintori)
OSKAR SCHLEMMER (Bruno Monguzzi)
PAUSE TRINK COCA-COLA（Herbert Leupin）
PERIDOT（Seymour Chwast）
PTT（Pieter Brattinga）
schutzt das Kind (Josef Müller-Brockmann)
STOP H-BOMB TESTS（Ben Shahn）
THE MAN WITH THE GOLDEN ARM（Saul Bass）
THE NEXT WAR DETERMINE NOT WHAT IS RIGHT BUT WHAT IS LEFT（Herb Lubalin）
TOULOUSE LAUTREC (Peter Max)
UPJOHN : THE BRAIN（Will Burtin）
VORMGEVERS (Wim Crouwel)
Wilhelm Tell（Armin Hofmann）
XXII BIENNALE INTERNAZIONALE D'ARTE VENEZIA 32B（Massimo Vignelli）
[ほか]
500 miglia di Monza（Max Huber）
ALBAN BERG WOZZECK（Jan Lenica）
ALFIERI & LACROIX: TIPOLITOZINCOGRAFIA IN MILANO （Franco Grignani）
BLACK POWER WHITE POWER（Tomi Ungerer）
CAMPARI（Bruno Munari）
CINZANO（Raymond Savignac）
DYLAN（Milton Glaser）
General Dynamics - USS Nautilus（Eric Nitche）
IBM（Paul Rand）
O & T Ausstellung Odermatt & Tissi 2 Schweizer Grafiker Plakate, Signete, Shriften（Siegfried Odermatt、Rosmarie Tiss）
Olivetti (Giovanni Pintori)
OSKAR SCHLEMMER (Bruno Monguzzi)
PAUSE TRINK COCA-COLA（Herbert Leupin）
PERIDOT（Seymour Chwast）
PTT（Pieter Brattinga）
schutzt das Kind (Josef Müller-Brockmann)
STOP H-BOMB TESTS（Ben Shahn）
THE MAN WITH THE GOLDEN ARM（Saul Bass）
THE NEXT WAR DETERMINE NOT WHAT IS RIGHT BUT WHAT IS LEFT（Herb Lubalin）
TOULOUSE LAUTREC (Peter Max)
UPJOHN : THE BRAIN（Will Burtin）
VORMGEVERS (Wim Crouwel)
Wilhelm Tell（Armin Hofmann）
XXII BIENNALE INTERNAZIONALE D'ARTE VENEZIA 32B（Massimo Vignelli）
[ほか]
Premio Compasso d'oro ＜コンパッソ・ドーロ賞関連資料 (11冊 + 手紙 一括)＞
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥275,000
デザイン : Bruno Munari, Max Huber, Bob Noorda, Pino T･･･
函①②③④⑤⑥⑦⑩⑪、カバー⑦⑨
① 第2回 Compasso d'oro 1955 (Premio La Rinascente compasso d'oro 1955)
鉛筆で書込み箇所あり(リナシェンテ百貨店と提携関係にあった高島屋の関係者の旧蔵品と思われますので、消去せず残してあります)
② 第3回 Compasso d'oro 1956 (Premio La Rinascente compasso d'oro 1956 per l'estetica prodotto)
③ 第4回° Compasso d'oro 1957 (Premio La Rinascente compasso d'oro 1957 per l'estetica prodotto)
④ 第5回 Compasso d'oro 1959 + 第6回 Compasso d'oro 1960 (Premio Compasso d'oro 1959-1960)
⑤ 第7回 Compasso d'oro 1962 (Premio Compasso d'oro 1962)
⑥ 第8回 Compasso d'oro 1964 (Premio Compasso d'oro 1964)
⑦ 第10回 Compasso d'oro 1970 (Premio Compasso d'oro ADI 1970)
⑧ 第11回 Compasso d'oro 1979 (Design & Design)
⑨ the museum of modern ar new york (1958)
⑩ Premio La Rinascente compasso d'oro / the council of industrial design london (1963)
⑪ Premio La Rinascente compasso d'oro / Den Parmanente Copenhagen (1964)
飯田慶三(高島屋・社長)宛て英文手紙2枚 (専用便箋にタイプ打ち ; Cesare Brustioの署名あり)
① 第2回 Compasso d'oro 1955 (Premio La Rinascente compasso d'oro 1955)
鉛筆で書込み箇所あり(リナシェンテ百貨店と提携関係にあった高島屋の関係者の旧蔵品と思われますので、消去せず残してあります)
② 第3回 Compasso d'oro 1956 (Premio La Rinascente compasso d'oro 1956 per l'estetica prodotto)
③ 第4回° Compasso d'oro 1957 (Premio La Rinascente compasso d'oro 1957 per l'estetica prodotto)
④ 第5回 Compasso d'oro 1959 + 第6回 Compasso d'oro 1960 (Premio Compasso d'oro 1959-1960)
⑤ 第7回 Compasso d'oro 1962 (Premio Compasso d'oro 1962)
⑥ 第8回 Compasso d'oro 1964 (Premio Compasso d'oro 1964)
⑦ 第10回 Compasso d'oro 1970 (Premio Compasso d'oro ADI 1970)
⑧ 第11回 Compasso d'oro 1979 (Design & Design)
⑨ the museum of modern ar new york (1958)
⑩ Premio La Rinascente compasso d'oro / the council of industrial design london (1963)
⑪ Premio La Rinascente compasso d'oro / Den Parmanente Copenhagen (1964)
飯田慶三(高島屋・社長)宛て英文手紙2枚 (専用便箋にタイプ打ち ; Cesare Brustioの署名あり)
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パージナの新着書籍
U. & L.C Vol.8 No.4 (1981年12月)
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥3,300
（送料：￥660～）
編 : Edward Gottschall、International Typeface Corpo･･･
文 : 英語
Editorial
A"new look" in business communication as the typewriter heads for retirement.
Thoughts
Pithy words about books and reading by some visiting sages.
Playing Cards
They're not just for playing, but for scholarly analysis, fortunetelling, invitations, calling cards, legal tender, advertising, collecting .... and more.
Jovica Veljović
His 3-H approach to calligraphy calls for a synchronization of the head, the hand and the heart.
Simplicissimus
Steven Heller continues his survey of satiric journals of the past with his story of Simplicissimus, an acerbic, witty and influential German weekly.
Puzzle
Find some familiar faces in a crowd of characters. You can work this puzzle vertically, horizontally, diagonally and even backwards.
The Jukebox
All about the music machine with the funny name and the gorgeous chassis. Cover and color feature section designed by our guest designer, Lou Dorfsman.
[ほか]
Editorial
A"new look" in business communication as the typewriter heads for retirement.
Thoughts
Pithy words about books and reading by some visiting sages.
Playing Cards
They're not just for playing, but for scholarly analysis, fortunetelling, invitations, calling cards, legal tender, advertising, collecting .... and more.
Jovica Veljović
His 3-H approach to calligraphy calls for a synchronization of the head, the hand and the heart.
Simplicissimus
Steven Heller continues his survey of satiric journals of the past with his story of Simplicissimus, an acerbic, witty and influential German weekly.
Puzzle
Find some familiar faces in a crowd of characters. You can work this puzzle vertically, horizontally, diagonally and even backwards.
The Jukebox
All about the music machine with the funny name and the gorgeous chassis. Cover and color feature section designed by our guest designer, Lou Dorfsman.
[ほか]
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥3,300
（送料：￥660～）
編 : Edward Gottschall、International Typeface Corpo･･･
文 : 英語
Cover
Introduction to our invitational color section, featuring guest designer, Alan Peckolick, and his magical posters.
Editorial
A proposal and program for restructuring graphic arts education for the benefit of students, art schools and the whole communications industry.
Pro-File: Seymour Chwast
Quiet, quaint, quirky, unquestionably cute, Seymour Chwast (pronounced Quast) is the quintessential communicator.
Ms. Jean Evans
A former tennis star swaps her racquet for a lettering pen and shows us some wonderful strokes.
Lou Myers: Bombed
There's something rotten in the state of the world; Lou Myers depicts a few crises.
L'Assiette Au Buerre
Steven Heller's treatise on this turn-of-the-century French magazine reveals that it was as much concerned with graphics as with political and social satire.
Putting Your Best Face Forward
A typographer in Brussels demonstrates some salient features of ITC typefaces.
[ほか]
Cover
Introduction to our invitational color section, featuring guest designer, Alan Peckolick, and his magical posters.
Editorial
A proposal and program for restructuring graphic arts education for the benefit of students, art schools and the whole communications industry.
Pro-File: Seymour Chwast
Quiet, quaint, quirky, unquestionably cute, Seymour Chwast (pronounced Quast) is the quintessential communicator.
Ms. Jean Evans
A former tennis star swaps her racquet for a lettering pen and shows us some wonderful strokes.
Lou Myers: Bombed
There's something rotten in the state of the world; Lou Myers depicts a few crises.
L'Assiette Au Buerre
Steven Heller's treatise on this turn-of-the-century French magazine reveals that it was as much concerned with graphics as with political and social satire.
Putting Your Best Face Forward
A typographer in Brussels demonstrates some salient features of ITC typefaces.
[ほか]
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥4,400
（送料：￥660～）
編 : Herb Lubalin、International Typeface Corporatio･･･
文 : 英語
Editorial
Hot and cool running computers and how to keep up with them.
Profile: Herb Lubalin
Judged by a jury of his peers, we wind up with more than a profile of U&lc's Editor-Designer.
Lou Myers
Two universal four-letter words are graphically defined by the inimitable Mr. Myers.
Four Ways to Say Five
A solemn civic center in Bonn,West Germany, invites a chuckle with its adventurous numerals by Anton Stankowski.
What Fools These Mortals Be
A sober and thorough account of the history of comic and satiric periodicals of the 19th and early 20th century. First of a four-part series.
Crossword Puzzle
Grind corn, grind the organ, grind edges, and sharpen your wits for the puzzle on page 18
Automotivations
A Californian car-watcher views the auto as a vehicle for political polemics and social satire.
[ほか]
Editorial
Hot and cool running computers and how to keep up with them.
Profile: Herb Lubalin
Judged by a jury of his peers, we wind up with more than a profile of U&lc's Editor-Designer.
Lou Myers
Two universal four-letter words are graphically defined by the inimitable Mr. Myers.
Four Ways to Say Five
A solemn civic center in Bonn,West Germany, invites a chuckle with its adventurous numerals by Anton Stankowski.
What Fools These Mortals Be
A sober and thorough account of the history of comic and satiric periodicals of the 19th and early 20th century. First of a four-part series.
Crossword Puzzle
Grind corn, grind the organ, grind edges, and sharpen your wits for the puzzle on page 18
Automotivations
A Californian car-watcher views the auto as a vehicle for political polemics and social satire.
[ほか]
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥3,300
（送料：￥660～）
編 : Edward Gottschall、International Typeface Corpo･･･
文 : 英語
Cover
Announcing our 8-page color section on FLIGHT.
Thoughts
Four thought-provokers about books and the printed word.
Editorial
In the matter of typesetting, the future has arrived; what it looks like, and how to greet it.
When a Photographer "Represents" Artists
Photographer Marvin Schwartz shoots 25 contemporary American artists with unusual results.
Netsuke
Once the safety-pin of Japanese dress; today it's an art object and collector's item.
Ms. Linda Novick
She started in her grandmother's kitchen and wound up in Tiffany's window, with other notable appearances in between and to come.
The Letter and the Spirit of the Lore
A graphic artist combines his esthetics with a touch of ascetics for a personal art form.
Mythological Mayhem
It's the classic game of hide-and-seek; and you'll find everyone from Achilles to Zeus.
[ほか]
Cover
Announcing our 8-page color section on FLIGHT.
Thoughts
Four thought-provokers about books and the printed word.
Editorial
In the matter of typesetting, the future has arrived; what it looks like, and how to greet it.
When a Photographer "Represents" Artists
Photographer Marvin Schwartz shoots 25 contemporary American artists with unusual results.
Netsuke
Once the safety-pin of Japanese dress; today it's an art object and collector's item.
Ms. Linda Novick
She started in her grandmother's kitchen and wound up in Tiffany's window, with other notable appearances in between and to come.
The Letter and the Spirit of the Lore
A graphic artist combines his esthetics with a touch of ascetics for a personal art form.
Mythological Mayhem
It's the classic game of hide-and-seek; and you'll find everyone from Achilles to Zeus.
[ほか]
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥3,300
（送料：￥660～）
編 : Edward Gottschall、International Typeface Corpo･･･
文 : 英語
Editorial
A report on the colossal Drupa exhibition in Dusseldorf with tantalizing descriptions of the newest wrinkles in electronics, destined to continue the revolution in the graphics world.
Collecting Clocks
Some clocks do more than tell time. As fascinating as their timepieces is the story of why and how Joseph and Cindy Fanelli started to collect them.
Alphabet of the Printer's Art
Necessity was the mother of a beautiful invention. A graphic artist shares his collection of decorative initials, which includes specimens from famous old hands.
Sumo
The strange romantic tale of a fashion illustrator who turned off on couture and turned on to Sumo wrestling as the subject of her art and object of her affections.
Man Bites Man
Cartoons, caricatures, graphics-acerbic and satiric-by artists past and present, American and European, provide the theme of a new series by Steven Heller.
[ほか]
Editorial
A report on the colossal Drupa exhibition in Dusseldorf with tantalizing descriptions of the newest wrinkles in electronics, destined to continue the revolution in the graphics world.
Collecting Clocks
Some clocks do more than tell time. As fascinating as their timepieces is the story of why and how Joseph and Cindy Fanelli started to collect them.
Alphabet of the Printer's Art
Necessity was the mother of a beautiful invention. A graphic artist shares his collection of decorative initials, which includes specimens from famous old hands.
Sumo
The strange romantic tale of a fashion illustrator who turned off on couture and turned on to Sumo wrestling as the subject of her art and object of her affections.
Man Bites Man
Cartoons, caricatures, graphics-acerbic and satiric-by artists past and present, American and European, provide the theme of a new series by Steven Heller.
[ほか]
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥3,300
（送料：￥660～）
編 : Edward Gottschall、International Typeface Corpo･･･
文 : 英語
Editorial
Typography needs to be felt. The emotional impact of the letterforms and the way they are put together greatly affects the effectiveness of the message they represent.
Thoughts
To ponder, feed on, muse about or file away for future contemplation.
Chess-People
1500 years of warfare without a casualty! A brief review of the armies, with special emphasis on the Knights.
Cut ... Paste ... Pow!
An inspired illustrator and collagist reveals his sources.
Insects
Whatever you may think of them, they are creatures beloved by their mothers as well as entomologists, writers, poets, and the illustrator Bernard Durin.
Letters
Pleas, requests, warnings and other expressions of interest from our readers.
Capitalizing on Insects
Another insect fancier presses them into service.
Something for Everybody
Remarkable Words with Astonishing Origins, by John Train, aptly and amusingly illustrated by Lionel Kalish.
[ほか]
Editorial
Typography needs to be felt. The emotional impact of the letterforms and the way they are put together greatly affects the effectiveness of the message they represent.
Thoughts
To ponder, feed on, muse about or file away for future contemplation.
Chess-People
1500 years of warfare without a casualty! A brief review of the armies, with special emphasis on the Knights.
Cut ... Paste ... Pow!
An inspired illustrator and collagist reveals his sources.
Insects
Whatever you may think of them, they are creatures beloved by their mothers as well as entomologists, writers, poets, and the illustrator Bernard Durin.
Letters
Pleas, requests, warnings and other expressions of interest from our readers.
Capitalizing on Insects
Another insect fancier presses them into service.
Something for Everybody
Remarkable Words with Astonishing Origins, by John Train, aptly and amusingly illustrated by Lionel Kalish.
[ほか]
U. & L.C Vol.9 No.4 (1982年12月)
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥3,300
（送料：￥660～）
編 : Edward Gottschall、International Typeface Corpo･･･
文 : 英語
Editorial
New words, new systems, new roles for the players in the new technology.
Thoughts
Sagacious sentiments from some sages-ancient and contemporary.
Ascendo to Descendo
A graphics teacher motivates a history lesson with sheet music.
From Less Is More to ...?
The zigs and zags of esthetic movements of the 20th century as seen by the omniscient designer/author Massimo Vignelli.
Alphaband
A rock-jazz violinist-saxophonist and cartoonist put his heads together to design an alphabet.
The Old Tin Can
It may be junk to others, but to one suburban family their tin canister collection is educational, recreational and rich in sentiment.
Man Bites Man
Steven Heller presents another satirical cartoonist, Mark Alan Stamaty, and dissects his method and his madness.
What's New in Computer Graphics?
New approaches to animation, modeling, graphing, charting, composition and pagination in the commercial world; also the revolution in communications curriculum.
[ほか]
Editorial
New words, new systems, new roles for the players in the new technology.
Thoughts
Sagacious sentiments from some sages-ancient and contemporary.
Ascendo to Descendo
A graphics teacher motivates a history lesson with sheet music.
From Less Is More to ...?
The zigs and zags of esthetic movements of the 20th century as seen by the omniscient designer/author Massimo Vignelli.
Alphaband
A rock-jazz violinist-saxophonist and cartoonist put his heads together to design an alphabet.
The Old Tin Can
It may be junk to others, but to one suburban family their tin canister collection is educational, recreational and rich in sentiment.
Man Bites Man
Steven Heller presents another satirical cartoonist, Mark Alan Stamaty, and dissects his method and his madness.
What's New in Computer Graphics?
New approaches to animation, modeling, graphing, charting, composition and pagination in the commercial world; also the revolution in communications curriculum.
[ほか]
U. & L.C Vol.10 No.3 (1983年9月)
パージナ
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
東京都中央区日本橋富沢町4-6 Core-46 Bldg.
￥3,300
（送料：￥660～）
編 : Edward Gottschall、International Typeface Corpo･･･
文 : 英語
Thoughts
Comments on Labor and Love by noted pianist Arthur Rubinstein.
Editorial
It will all be resolved. Some reassuring observations on the eventual synthesis of personal creativity and computer technology.
The Kalishes
A story of life imitating art ... and art that imitates no one.
Mechanimals, II
The most amazing creations since Genesis-Murray Tinkelman returns with a new flock of mechanimals.
Feliks Topolski
Steven Heller continues his chronicle of satiric art with a perceptive account of the life, the philosophy and the work of this Polish-born artist.
Typographic Milestones: Morris Fuller Benton
To provide a link with the past, this new feature will review the lives and contributions of our foremost type designers.
The Subject Is Spectacles
If you don't already wear them, you're likely to need them eventually; so learn some fascinating facts about this indispensable item of modern life.
[ほか]
Thoughts
Comments on Labor and Love by noted pianist Arthur Rubinstein.
Editorial
It will all be resolved. Some reassuring observations on the eventual synthesis of personal creativity and computer technology.
The Kalishes
A story of life imitating art ... and art that imitates no one.
Mechanimals, II
The most amazing creations since Genesis-Murray Tinkelman returns with a new flock of mechanimals.
Feliks Topolski
Steven Heller continues his chronicle of satiric art with a perceptive account of the life, the philosophy and the work of this Polish-born artist.
Typographic Milestones: Morris Fuller Benton
To provide a link with the past, this new feature will review the lives and contributions of our foremost type designers.
The Subject Is Spectacles
If you don't already wear them, you're likely to need them eventually; so learn some fascinating facts about this indispensable item of modern life.
[ほか]
