STUDIO　EDITIONS，LONDON 〜の在庫検索結果 / 日本の古本屋

RAILWAYS THE PIONEER YEARS

花島書店
北海道札幌市手稲区新発寒

￥6,600

MALCOLM FLETCHER AND JOHN TAYLOR、Studio Editions L･･･

写真図入320頁26x32cm

RAILWAYS THE PIONEER YEARS

￥6,600

MALCOLM FLETCHER AND JOHN TAYLOR 、Studio Editions London 、1990

写真図入320頁26x32cm

花島書店

Grammar of Ornament A Monumental Work of Art

smokebooks(スモークブックス)
千葉県松戸市稔台1-21-1

￥2,500

1988 Studio editions London　ハードカバー　カバー欠　英語　25x34x4
本の状態　カバー欠け　すれ　角傷み
やけ
ギリシャ　トルコ　アラビアなどの建築・インテリアなど　装飾集　

※配送料の表記について(システムの変更により) すべての商品を一律表記しています。. ※大型品・複数冊注文の場合は、受注後に別途配送料をお知らせします。受注確認後、翌営業日〜7日以内に発送通常配送料　￥385(34.0×25.0×2.0cm) 大型配送料　￥550　(沖縄・離島は別料金) 佐川急便・郵便局　　購入金額1万円以上　送料無料店頭受け取り　送料無料

Grammar of Ornament A Monumental Work of Art

￥2,500

1988 Studio editions London　ハードカバー　カバー欠　英語　25x34x4 本の状態　カバー欠け　すれ　角傷みやけギリシャ　トルコ　アラビアなどの建築・インテリアなど　装飾集　

smokebooks(スモークブックス)

ＴＨＥ　ＤＥＣＯＲＡＴＩＶＥ　ＡＲＴ　ＯＦ　ＡＲＡＢＩＡ（英）アラビアのデコラティブ・アート

ハナ書房
大阪府大阪市北区天神橋

￥4,070

TEXT　BY　JULES　BOURGOIN、STUDIO　EDITIONS，LONDON、２００５

FOREWORD
from his fellows was a Western one not then found in Islam.
Designers learnt their skills in workshops, and design had evolved
naturally, without self-consciousness.
The intricate geometrical patterns, the interlace of astonishing
complexity were created with a maximum of skill and the minimum
of equipment and theory. New patterns were essentially variants of
older ones, and a straight-edge and dividers were the only instru-
ments used to lay out the ground.
As Bourgoin emphasizes, somehow the Islamic artists reflected
the underlying geometric structure of organic things in their
patterns, but they achieved this intuitively, not through
experimental science or a formal study of geometry. Although buil
from simple elements, the number of possible designs is infinit
but only through the study of existing patterns can new patterns
made.
up
Charles Newton
August 1988
カバー、１０９図、２４×３４ｃｍ

ＴＨＥ　ＤＥＣＯＲＡＴＩＶＥ　ＡＲＴ　ＯＦ　ＡＲＡＢＩＡ（英）アラビアのデコラティブ・アート

￥4,070

TEXT　BY　JULES　BOURGOIN 、STUDIO　EDITIONS，LONDON 、２００５

FOREWORD from his fellows was a Western one not then found in Islam. Designers learnt their skills in workshops, and design had evolved naturally, without self-consciousness. The intricate geometrical patterns, the interlace of astonishing complexity were created with a maximum of skill and the minimum of equipment and theory. New patterns were essentially variants of older ones, and a straight-edge and dividers were the only instru- ments used to lay out the ground. As Bourgoin emphasizes, somehow the Islamic artists reflected the underlying geometric structure of organic things in their patterns, but they achieved this intuitively, not through experimental science or a formal study of geometry. Although buil from simple elements, the number of possible designs is infinit but only through the study of existing patterns can new patterns made. up Charles Newton August 1988 カバー、１０９図、２４×３４ｃｍ

ハナ書房

Post-Impressionism. The Rise of Modern Art. 1880-1920　(検索用、ポスト印象派　印象主義　マネ・ゴッホ、ゴーギャン、ルドン、セザンヌ、マティス、ドラン、ヴラマンク)

角口書店
北海道札幌市中央区宮の森四条

￥2,000

バーナードデンバー序文(Thomas Parsons, Iain Gale. Foreword b･･･

重刷　カバ端折れ跡僅　ハードカバー　ISBN1851708618

送料は、実費です。梱包の際の大きさと重量によって、日本郵便のクリックポスト、レターパックプラスまたはライト、ゆうパックのいずれかの料金表に基づきます。そのため、表記の送料に変更がある場合がございますのでご了承ください。海外発送の場合は、EMSでのお取り扱いとなります。代引きの場合は、ゆうメールかゆうパックの料金に手数料と送金料(290円+203円)がかかります。前払いでのご注文後に、代引き扱いに変更も可能です。