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Contents
Preface
Introduction. Early times
1 Nicholson, Wood and Wallis
2 Traditional and modern: St Ives and London
3 Wartime in St Ives
4 Artists gather in St Ives
5 The Crypt Group and the Penwith Society;
the Festival of Britain in London and St Ives
6 Post-war Britain; Nicholson's growing
reputation
7 Bart Hepworth, Bernard Leach and
Denis Mitc
8 Peter Lanyon
9 The development of abstraction Terry Frost
10 International influences: Paris and New York.
Patrick Heron
11 Bryan Wynter, Alan Davie and Paul Feiler
12 St Ives in the 1950s
13 Roger Hilton
14 The importance of St Ives
Notes and references
Bibliography
Acknowledgements
Index
状態：良好です

英文併記

安藤忠雄/地中美術館(直島)
COOP HIMMELBLAU/MUSEE DES CONFLUENCES
PETER EISENMAN/TSA CARDINALS MULTIPURPOSE FACILITY
NORMAN FOSTER/CHESA FUTURA
FRANK O. GEHRY/PUENTE DE VIDA MUSEO
ZAHA HADID/BMW PLANT LEIPZIG-CENTRAL BUILDING
原広司/B PROJECT
STEVEN HOLL/LOISIUM VISITORS' CENTER
磯崎新/FLORENCE NEW STATION
伊東豊雄/THE EXTENSION AT FAIR OF BARCELONA, MONTJUIC 2
槇文彦/島根県立古代出雲歴史博物館
RICHARD MEIER/FRIEDER BURDA COLLECTION
MORPHOSIS/NOAA SATELLITE OPERATION FACILITY
ERIC OWEN MOSS/CONJUNCTIVE POINTS GATEWAY, 3505 HAYDEN AVENUE
JEAN NOUVEL/SOLOMON R. GUGGENHEIM MUSEUM IN RIO DE JANEIRO
DOMINIQUE PERRAULT/OLYMPIC TENNIS COMPLEX
RENZO PIANO/THE NEW YORK TIMES BUILDING
RICHARD ROGERS/ANTWERP LAW COURTS
BERNARD TSCHUMI/UNIVERSITY OF CINCINNATI ATHLETIC CENTER

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