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One Minute Mysteries: 65 Short Mysteries You Solve With Science! (One Minute Mysteries in Science/Math)

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東京都八王子市越野　8-23

￥1,303 （送料：￥350～）

Yoder Eric、Science Naturally、2008年9月1日（発売年月日の記載となり･･･

▼ 東京より発送 ▼ 紙面：数頁に開き癖あり▼ 全体的に若干使用感・スレキズ・薄ヤケ・薄汚れ少々

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One Minute Mysteries: 65 Short Mysteries You Solve With Science! (One Minute Mysteries in Science/Math)

￥1,303 （送料：￥350～）

Yoder Eric 、Science Naturally 、2008年9月1日（発売年月日の記載となります、版・刷等について気になる際には別途お問い合わせください）、176 、paperback

▼ 東京より発送 ▼ 紙面：数頁に開き癖あり▼ 全体的に若干使用感・スレキズ・薄ヤケ・薄汚れ少々

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ＴＨＥ　ＤＥＣＯＲＡＴＩＶＥ　ＡＲＴ　ＯＦ　ＡＲＡＢＩＡ（英）アラビアのデコラティブ・アート

ハナ書房
大阪府大阪市北区天神橋

￥4,070

TEXT　BY　JULES　BOURGOIN、STUDIO　EDITIONS，LONDON、２００５

FOREWORD
from his fellows was a Western one not then found in Islam.
Designers learnt their skills in workshops, and design had evolved
naturally, without self-consciousness.
The intricate geometrical patterns, the interlace of astonishing
complexity were created with a maximum of skill and the minimum
of equipment and theory. New patterns were essentially variants of
older ones, and a straight-edge and dividers were the only instru-
ments used to lay out the ground.
As Bourgoin emphasizes, somehow the Islamic artists reflected
the underlying geometric structure of organic things in their
patterns, but they achieved this intuitively, not through
experimental science or a formal study of geometry. Although buil
from simple elements, the number of possible designs is infinit
but only through the study of existing patterns can new patterns
made.
up
Charles Newton
August 1988
カバー、１０９図、２４×３４ｃｍ

ＴＨＥ　ＤＥＣＯＲＡＴＩＶＥ　ＡＲＴ　ＯＦ　ＡＲＡＢＩＡ（英）アラビアのデコラティブ・アート

￥4,070

TEXT　BY　JULES　BOURGOIN 、STUDIO　EDITIONS，LONDON 、２００５

FOREWORD from his fellows was a Western one not then found in Islam. Designers learnt their skills in workshops, and design had evolved naturally, without self-consciousness. The intricate geometrical patterns, the interlace of astonishing complexity were created with a maximum of skill and the minimum of equipment and theory. New patterns were essentially variants of older ones, and a straight-edge and dividers were the only instru- ments used to lay out the ground. As Bourgoin emphasizes, somehow the Islamic artists reflected the underlying geometric structure of organic things in their patterns, but they achieved this intuitively, not through experimental science or a formal study of geometry. Although buil from simple elements, the number of possible designs is infinit but only through the study of existing patterns can new patterns made. up Charles Newton August 1988 カバー、１０９図、２４×３４ｃｍ