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2と3は合冊
VOLUME 29, 1 (1967)
Some Sculptural Motifs on Early Calukya Temples
Aschwin Lippe
The Evolution of the T’ang Lion and Grapevine Mirror
Nancy Thompson
Addendum: The “Jen Shou” Mirrors
Alexander Coburn Soper
The Typology of the Anantashayi Icon
K. V. Soundara Rajan
L’Amphisbène
Louis Malleret
Note on a Mukhalinga from Western Borneo
S. J. O’Connor
VOLUME 29, 2/3 (1967)
Chinese Pictorial Bronze Vessels of the Late Chou Period. Part III
Charles D. Weber
Japanese Screen Paintings of the Hogen and Heiji Insurrections
Miyeko Murase
The Theory and Technique of Classical Indian Dancing
Kapila Vatsyayan
Balinese Painting and the Wayang Tradition
Leland W. Gralapp
The “Letter from Shih-t’ao to Pa-ta-shan-jen”
Alexander Coburn Soper
VOLUME 29, 4 (1967)
Notes sur l’Art du Bronze dans l’ancien Cambodge
Jean Boisselier
A Ninth Century Landscape Painting in the Japanese Imperial Palace and Some Chinese Parallels
Alexander Coburn Soper

VOLUME 31, 1 (1969)
A Chinese Scroll of the Ming Dynasty “Ming Huang and Yang Kuei-fei Listening to Music”
George A. Rowley
Some Late Chinese Bronze Images (Eighth to Fourteenth Centuries) in the Avery Brundage Collection, M. H. De Young Museum, San Francisco
Alexander Coburn Soper
The Gilding of Ancient Bronze Statues in Japan
Sherwood F. Moran
Sur une défense d’éléphant sculptée ayant appartenu à M. Poivre
Louis Malleret
A Shiva Icon from Piandjikent P. Banerjee
VOLUME 31, 2/3 (1969)
The Representation of Costumes in the Reliefs of Taq-i-Bustan
Elsie Holmes Peck
Early Buddhist Caves at Junnar
Vidya Dehejia
Sculptures from the Later Calukyan Temple at Haveri
M. S. Nagaraja Rao
An Early Gupta Seal of the Mahiṣasuramardini
K. Bharatha Iyer
Nine Inscribed Choresmian Bowls
Guitty Azarpay
All the World’s a Stage: A Note. A Rebuttal
A. Bulling
VOLUME 31, 4 (1969)
The Yakushi Image and Shaka Trinity of the Kondo, Horyuji: A Study of Drapery Problems
Diana Pyle Rowa